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Beach Boys' Party - Notes

The Beach Boys 11th US album and their 8th album release in the UK - the US release preceded the UK issue by a few months. Although PARTY! is a studio album, Brian Wilson does a great job in providing the illusion of a live party recording.
The album entered the UK charts in February 1966, reached no.3 and spent 14 weeks on the UK chart. In the US, the album entered the charts in late July 1965 and peaked at no.6 in early 1966 - it spent 24 weeks on the US chart. PARTY! never reached gold status and so a sequential run of nine consecutive gold record certificates would come to an end.
In the US, just after the release of PARTY! , the single Barbara Ann reached no.2 in December 1965. Prior to the success of the Barbara Ann single, the previously unreleased recording, The Little Girl I Once Knew was paired with the PARTY! track, There's No Other (Like My Baby) - this single reached the No.20 spot in the US, but failed to chart in the UK. In the UK the Barbara Ann single reached the no.3 spot in February 1966.

Beach Boys' Party - The Beach Boys
CD release date:July 26th 1994
Record label:Capitol
CD code:CDP 7243829634025
Media format:CD (remastered, 16 bit)
Audio:mono
Album History
First Release Date:US:11/65 -- UK:2/66
Serial No:US SM/DM/SMAS2398
Chart #pos(weeks):US - #6(24) UK - #3(14)
Beach Boys' Party - track listing
TrackTitleTime
1.Hully Gully2.22
2.I Should Have Known Better1.40
3.Tell Me Why1.46
4.Papa-Oom-Mow-Mow2.17
5.Mountain Of Love2.50
6.You've Got To Hide Your Love Away2.55
7.Devoted To You2.16
8.Alley Oop2.55
9.There's No Other (Like My Baby)3.05
10.Medley: I Get Around/LDC2.39
11.The Times They Are A-Changin'2.39
12.Barbara Ann3.06
Beach Boys' Party - Chords coming soon
Beach Boys' Party - Review

Background: In September 1965 Brian Wilson was planning his next Beach Boys album and having given Capitol Summer Days in mid 1965, he would have been hoping for time and space to develop his work-in-progress and what was to become his masterpiece, Pet Sounds It was not to be. Capitol’s insatiable appetite for material continues and the transition from TODAY! To Pet Sounds is once again interrupted as Brian Wilson yields to the pressure and agrees to create another dollar machine. Having previously released The Beach Boys Concert album and a Christmas Album, Capitol’s (and the band’s) options were limited to a brand new Beach Boys recording or a Greatest Hits package. Brian Wilson knowing that Pet Sounds is in the pipeline is unwilling to rush his masterpiece and has no desire to start work on a new set of songs within the timescale. At their commercial peak, a Greatest Hits release is deemed premature. The suggestion of a “live” party album is an agreeable solution with the added benefit of being easily completed in a matter of days. Everyone is happy, Brian gives Capitol just a little time and Capitol gets another moneyspinner – the pressure is relieved.

Review: Recorded 'live' in September 1965 at Western Studios, and released in November ’65, The Beach Boys’ PARTY! is not a work of art. Neither however is it a throwaway album. It is a simple album in terms of its easy listening and limited production sound. Mainly acoustic guitars, bongos, harmonica, and tambourine, it showcases the Beach Boys singing their favourite 1950s and ‘60s chart hits. The ‘guests’chitchat and party sounds (recorded and added afterwards) can be distracting and at times annoying, but the core of the album - the individual and group vocals, and the care-free sound of the album is worth the listen. There are decent and recognisable songs on Beach Boys’ PARTY! - some amusing, and some great performances; notably The Beatles’ covers I Should Have Known Better, Tell Me Why, and You’ve Got To Hide Your Love Away where the ad-libbing and flaws in the singing are perhaps what makes them endearing. Papa Oom Mow Mow shows how Mike Love’s powerful and persistent bass vocals contrast perfectly with the wild screeching of Brian Wilson’s. Mountain Of Love, and the Phil Spector tribute There’s No Other (Like My Baby) both have a strong lead vocal from Mike Love and Brian Wilson respectively, and are the only tracks on the album sounding like full-length, rehearsed songs. Barbara Ann of course with Dean Torrance guesting on vocals was the surprise hit from the album, reaching No 2 in the US charts and No 3 in the UK.
From archive tapes, it is now known that a number of songs were recorded for PARTY! but did not make it to the final cut of the record, notably One Kiss Led To Another, (I Can’t Get No) Satisfaction, the entertaining Smokey Joe’s Café, and remarkably Ruby Baby featuring an excellent vocal by Brian Wilson sounding as if this was the song he had always wanted to sing.
Perhaps the most interesting aspect of this album is the ease of access the listener seemingly gets to the band. For a fan in 1965, to be given a glimpse into the world of a rock band at the peak of their commercial success in this type of demo-like fun setting, must have been like being involved in their party. Something surely connected with the audience, as PARTY! went on to be a huge hit in both the US charts, peaking at No 6 and reaching the No.3 slot on the UK chart.
With the knowledge we have now, it is easy to look back on this album and dismiss it as a fake, but in fact it was both an imaginative and innovative concept for the time. Not until the introduction of MTV in the late ‘80s did bands even begin to record and release ‘unplugged’ versions of their songs. It is of no great concern that The Beach Boys’ PARTY! was contrived, all that matters is that it sounds real and has a feel good factor. But it is an even better album for believing it’s real.

Highlights: Mountain Of Love, Tell Me Why, Devoted To You, and the out-take Ruby Baby (later to be released on the Good Vibrations Box Set)